GRID Architekci
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Public · Competition · 2017

Automotive Museum, Poznań

The proposal we put forward is an attempt to reconcile the contradictions arising from the plot's context, its surroundings, and the functional program.

Aerial view of the entire scheme — three timber pavilions with gabled roofs connected by a path to underground exhibition halls topped with grass-covered triangular skylights, surrounded by extensive greenery.

The proposal we put forward is an attempt to reconcile the contradictions arising from the plot’s context, its surroundings, and the functional program. The basic questions we asked ourselves were: How, without a distinctive context, do you create a building that references local building tradition? How do you create an attractive volume whose scale won’t dominate the buildings in its immediate surroundings? And how do you create an attractive building when the individual phases of the investment will each function independently for a period of time?

For these problems as posed, we found a solution that combines a multi-bay underground car park with a building that references local building tradition. The solution that reconciles these contradictions is the foundation of our proposal. The proposed concept integrates the modern, irregular form of Phase II with development referencing the open-air-museum-style architecture of Phase I. It allows for a building whose form, regardless of how far construction has progressed, is aesthetically complete and able to function independently. Visualizations: GRID architekci | GID studio

Glazed triangular skylight of the underground exhibition hall rising above the grassy embankment, with a forest in the background and a couple of visitors walking along the path. Internally lit triangular skylight of the exhibition hall at dusk, with the timber gable of the pavilion visible in the background and visitors strolling. Evening view of the group of timber pavilions with gabled roofs emerging behind the illuminated glass skylight, with a couple of visitors in the foreground. Site plan showing the placement of the three pavilions, the underground exhibition halls marked by triangular skylights, parking, and diagrams of functions on each level and the phasing of the project. Entrance to the museum pavilions at dusk — timber board-clad gable facades, illuminated interiors visible through the glazed ground-floor walls, and a car on the forecourt. Interior of the exhibition hall with a timber roof structure, vintage cars displayed on illuminated plinths, and visitors viewing the collection.
Year
2017
Status
Competition